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Auditions will be held
We will have 3 sections to audition – singing, choreography and acting. Please be prompt to be able to register and start on time. Please RSVP in advance if possible to avoid overly large qtys of people auditioning on one date by calling (519) 868-0919. (Walk-ins are welcome but may be asked to re-schedule if the group is too large) For the vocal auditions you may bring prepared pieces to be performed as a cappella or we will have pieces on hand for you. Show dates for Cabaret are: November 4,5,6,7 & 11,12,13,14th. Rehearsals begin in August and a schedule will be available to review at the audition. Loaner copies of the Cabaret script and orchestral score are available at the Tillsonburg Library if you would like a preview copy of your own. Please call Mark”the other” Smith @ (519) 868-0919.
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Stage Band Auditions
We are looking for musicians to play the live stage band music required for the play. If you or someone that you know, can play any of the following instruments really well – We want to hear from you! 1. Piano (multiple required) Auditions will be held August 8th @ 2pm – 5pm by appointment only. Advance copies of the orchestral score are available at the Tillsonburg library. Prepared music will also be accepted to display skill and ability as well. To arrange a time to show your talent, please contact:
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| “There was a cabaret and there was a master of ceremonies and there was a city called Berlin in a country called Germany. It was the end of the world…and we were fast asleep….” In the darkness, silence. A drum roll builds steadily like a wave, and crashes with a cymbal’s sharp reverberation. From the orchestra, a steady vamp begins. As the pulse grows stronger a spotlight on the stage grows brighter. Then, into the spotlight he steps. Chalk white face, crimson lips, he is as menacing as he is fascinating, he is the EMCEE. He invites us and we follow-into the decadent provocative world of the cabaret.
Sally Bowles, a little middle-class lass from Chelsea, London, is working as a singer at Berlin’s Kit-Kat Club and doing her not very good best to live the thrillingly decadent life which the city is supposed to offer. Into her orbit comes Cliff Bradshaw, a young American writer, and Sally soon moves determinedly in to join him in his room in the boarding house run by Fraulein Schneider. Their fellow lodgers include the cheerful, Fraulein Kost, and the gentle, graying fruiterer Herr Schultz. As the clouds gather, Sally, is determined to show the world what a good time she is having and she will not or cannot hear the noises of Nazism around her. But the others can. |
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This powerful adaptation focuses the humor, warmth and emotional intensity of Katherine Paterson’s novel. Jesse draws and dreams of becoming something special. Leslie, the new girl from the city and the ultimate outsider, opens a world of imagination, art and literature for him. Together they create Terabithia, a fantasy kingdom where they are safe from those who don’t understand them. Their friendship grows as Jesse’s world expands. When tragedy strikes, the strength gained in Terabithia takes Jesse forward on his own and lets him share the magic of his dreams. |
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| Future auditions for Theatre Tillsonburg’s 2010 / 2011 season will be announced as soon as the dates are known. | |||||
